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But isn't he concerned that such depictions will lead to greater violence in a world that is already on the brink? Disturbing and cathartic as this subject matter may be, these powerful images remain the creations of a graphic artist whose masterful close-up compositions and his complex use of color that reveal the dark side are worthy of our attention and appreciation. Until then, I'm not too concerned about what others think of the violence in my art," Greasetank states candidly. That one should feed off the other is a deep mystery to me, but it would be a big mistake to cover my eyes and pretend it isn't so. Art isn't only what's on the canvas. These are universal nightmares, filtered through the sensibilities of one man, a gay man, and the results - love them or hate them - are powerful. And that's why I believe it is art, and not just an exercise in poor taste.

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Greasetank believes that confronting these impulses and understanding them will help us throw light on that Shadow, and declares hopefully:

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It's a hypermasculine, fascist hell-paradise, and with its homoerotic edge and potent use of 20th century symbols, it's also unsettlingly familiar. GT labels these Experimental Art. That one should feed off the other is a deep mystery to me, but it would be a big mistake to cover my eyes and pretend it isn't so. When the day comes when I'm totally indifferent, then I'll move on. The closest term I've been able to find for it is the German word schadenfreude. They're just below the surface, waiting to pounce, and if we don't throw the light of discernment on them and give them their due, they will continue to operate in darkness, just beyond our control.

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I'm never sure what's going to materialize on the screen until I open my Photoshop and 3D programs and start playing around. It's much more about what awakens within the observer when he or she confronts it, and I have no control over that. Jung called this phenomenon the Shadow, and he felt very strongly that we should confront it. His works have been displayed in such disparate locations as Riga, Rotterdam, and Los Angeles, and published in periodicals as varied as Blue, Squeeze, and G-Men. And what does the future hold for this artist? The closest term I've been able to find for it is the German word schadenfreude. Then why not let sleeping dogs lie?

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